Thursday 13 December 2012

Critical Reflection Semester One, Year Two:




WINOL is a student run editorial package, simulating every aspect of a fully functional news operation so that we students are get a real taste of what it is to be a journalist and therefore preparing us for transition into a working environment within journalism. It is presented to its audience on multiple platforms with an online TV news bulletin broadcast each week being the main focus of the project, live, on YouTube. Alongside the bulletin, the news and features team publish written stories and videos on the WINOL website. The website is regularly updated and allows stories that happen before the next bulletin to be published, and those in the bulletins, and more recently the weekly radio bulletin, so that the site users are kept up to date with local news. 

Even though most would assume that a student lead project would be of mediocre attempt at replicating a commercial news broadcast, the reporters at WINOL throw themselves into stories and illustrate thinking outside the box with WINOL specials such as the Police commissioner’s debate and the American election coverage - all produced to a high, professional standard with the help of the production team, tying up all of the knots. All of this hard work is reflected in the website Alexa rankings which stood at 50000 at the beginning of the semester and has steadily lowered in number since. 

To widen the audience and add value to the WINOL online presence the website has been completely redesigned to look more like broadsheet news website, as well as the addition of online features and fashion magazines and a 99 second daily bulletin - which all seem to have boosted viewings and Alexa  rankings have improved dramatically. This is made clearer when the website is compared to the rankings of our rival student project East London Lines, which currently stands at 25000, but at the beginning of the semester had much better ranking than WINOL at just over 37500. WINOL has now over-taken with an Alexa ranking of 12500. 

Being thrown into the deep-end doesn’t quite describe the first week or two of WINOL; my role on production didn’t seem like much to stress about compared to the work that the news team had been putting into their packages. It wasn’t until the first bulletin was underway that myself and the rest of the team realised how important our roles were - without us there would be a bunch of packages and no bulletin.

The first role assigned to me for WINOL was to be part of the production team;. Each of the roles in the gallery, and out of the gallery, were explained to us in great detail and we had plenty of time to play around with the new pieces of equipment, which now seem like second nature to use. Every week, everyone swapped roles so that we were able to build our confidence using the machines. For the first and many of the bulletins throughout the semester I was vision mixer. For the second bulletin, my role in the gallery was to control the sound – this was a little trickier than vision mixing and didn’t rely on the director’s cue. That particular week the sound in post-production was awful and had to be rerecorded in the newsroom. The problem with sound was something that could have been avoided if we had known there was a problem with the microphone we were using. For the third bulletin I was in charge of the VT machine, which in very simple to use, but also very simple to mess up the whole bulletin if VT’s weren’t played at the correct time.

It wasn’t until week seven that I was given the role of director – a role I was avoiding like the plague, that and autocue. Despite being incredibly nervous my fifteen minutes or so in charge went smoother than I thought, but it would have been much smoother if there was more time to rehearse, in particular, the OOVs; when I was directing the script was too short for the length of footage, leaving  empty air. The most useful criticism I got was from Angus, who said I needed to communicate more with everyone in the studio and I needed to rehearse earlier – with or without the presenter. I then directed the next bulletin and tried to meet Angus’ requests. Feeling more confident and more comfortable, I realised it was my favourite role and I should have tried directing sooner. 

Away from the gallery the production team still had plenty to do; collecting packages, creating the headline clips and credits, along with the more experienced third years editing the final bulletin (if needed) and uploading it for its live stream. To give the bulletin a new dynamic we tried out a ‘coming-up’ clip in the middle of the bulletin and a VT highlighting other new stories on the website. These were all made by the production team, another part of the being on production I really enjoyed because it was more relaxed than the goings on in the gallery. I was able to produce a fair few whilst the gallery wasn’t in use, they became easier to make and choosing the best pictures out of the footage the reporters gave us became easier. 

During our weekly debriefs the problems that the lack of organisation, in terms of equipment, were having on the bulletin – it needed to be checked the day before the bulletin because fixing silly things wasted rehearsal time. The most problematic was figuring out the correct format for the VT’s so that they could be played correctly in the gallery.  

The most vital lesson I learned during the first few weeks was forward planning and preparation – getting packages, headlines, the script etc. in the at a reasonable time. This was why a few of the bulletins missed the three o’clock deadline. From then on we worked as a team to get things done properly and on time. This helped a lot when packages were spiked from the bulletin or when OB’s didn’t quite go to plan, which happened several times during the semester. 

Of all the areas making up WINOL that I have been able to take part in, features was the area I produced little content for. Despite having feature ideas that worked in theory, actually achieving them was harder than it looked. The first feature I produced was for the fashion magazine on winter fashion accessories and required mastering Fireworks/Photoshop to fit the style that we had decided on. It wasn’t the greatest piece of work; I had attempted to replicate what I had seen in magazines but I wasn’t entirely sure of how to manipulate it to fit a website. I knew what needed to be improved after we have once again discussed a style for the website. The second piece for the fashion magazine I produced fit the style that we had agreed on and relied heavily on production rather than text. I think it was more successful than the first, but definitely could have been improved. 

I also attempted a 'gonzo' style piece – I would live on the budget of a student living only from a student loan/grant. I worked this out to be around £50 and spent seven days trying to stick to it, while still spending as I normally would. I started out with a daily video diary, explaining what I had spent money on every day. When I was watching it back is was incredibly boring and figured it needed something to give it a little bit of life. My answer was cutaways - the problem was that the cut-aways looked awkward and didn’t seem to make any sense and so I decided not to continue with it.
Half way through the semester the radio news bulletin became a reality, allowing us to connect with our audience on another medium – in my opinion successfully. Even though it is a small team, there is input from the masters students, and the news team  who re-write their copy for radio, if it’s needed. For the short amount of time the bulletins have been going out, majority of which have gone out at the top of the hour (with some small technical glitches), I have helped out by submitting a few ‘and finally’ stories and news stories. Being on production means that there isn’t much time for news gathering and the radio bulletins have given me the opportunity to produce some content for WINOL, even though it may not be to the high standard of what is in the TV bulletin. The radio team also have a set, four hour slot in sound radio to fill in the air-time in between news bulletins. Nadine and I present our own radio show which aims to reach a female audience, by discussing current affairs and celebrity gossip, as well as reality TV. 

Although I was assigned roles, in production, features and more recently radio news, I was able to help out others with bigger projects which took place in the early part of the semester. The first project was briefed to us before we had started WINOL, and this was the BJTC awards. This was the first chance the production team had to practice with the equipment we would be using during WINOL bulletins, but also see what goes into a television show so that it looks good. My role for the BJTC was floor manager, which meant I had to keep everything going smoothly when the director couldn’t be there, to communicate with guests, to cue audience reactions and mic-up those in the show. 

The second of the projects was the Hampshire Police Commissioners debate, and event Louis O’Brien had spent months preparing and planning. This bought the production team together outside of the WINOL bulletin. For this I was floor manager again and attempted to keep the audience in the right places. The entire WINOL team pulled the event off and Louis packaged the debate (and candidate profiles) to a very high standard. 

The third project need the entire WINOL team to pull off; this was Ali Al-Jamri’s American Election special which incorporated news packages, summaries of the nights events, live updates throughout the morning and interviews. For this project I volunteered to be part of the OB team, who were allowed access to the American embassy on the night of the elections. During the weeks leading up to the special the OB teams brief changed – a lot. We were first asked to do a live OB over Skype to the studio. This changed because of the scheduling of the show and the length of the show being shortened. Instead we were asked to film interviews and elements of a package that was edited back in the newsroom. While we were there, myself and Sam were also tweeting the goings on at the Embassy and taking photos of the event. The live broadcast was success and a range of content was broadcast, giving a broad overview of the election night. 

WINOL has been enjoyable, but tough at times. I feel I have learned a large number of skills though-out this semester and will be able to put them to good use in the next. Mistakes were made, but as a team, and individually, our best was done to correct them - otherwise lessons we’re learned for next time those problems arise.

Wednesday 5 December 2012

Radio day three;


 As the weeks go on, myself and Nadine's radio show seems to follow the same structure which makes it easier for us to prepare and find content to fill the hour, although the topics that we discuss are very soft news or very gossip/celebrity based (which suits our intended target audience). 

The masters students took over the role of the radio news editor throughout the day and there was little change to the content of the bulletin. There were a quite few technical issues - the microphones in the studio where the news is read from were not working, meaning that the headlines weren't aired. For the second bulletin at 11, the mics played up again but this time the news wasn't aired at all, and was pushed back to the top of the next hour. The radio shows during the four hours were also effected. 

This was my contribution to the bulletin; sourced from the Hampshire Constabulary.

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Three men in Hampshire have been arrested for running a cannabis factory. 

Police forced entry to a property in Fareham, after members of the community reported suspicious activity. 

Officers found an estimated thirty six thousand pounds worth of plants, a large amount ready for sale.
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WINOL bulletin;

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WINOL week nine;

My role this week was vision mixer and I was also required to collect headline clips, create the headline sequence and collect packages for the bulletin, all of which I had done before and so I knew what I was doing. The only difference was the way that the headlines were made – instead of recording the headlines and VT’s in the studio, just the headlines were recorded. They were then captured and the headline clips were cut to fit the headline template and length of the individual headlines. This was fairy easy and similar to making the coming up clips.